{"id":182,"date":"2019-07-03T20:59:40","date_gmt":"2019-07-03T20:59:40","guid":{"rendered":"https:\/\/friendgenerator.club\/?p=182"},"modified":"2019-07-08T23:55:07","modified_gmt":"2019-07-08T23:55:07","slug":"after-dan-graham-isea-2019-gwangju-south-korea","status":"publish","type":"post","link":"http:\/\/3.151.107.52\/?p=182","title":{"rendered":"After Dan Graham @ ISEA 2019 &#8211; Gwangju, South Korea"},"content":{"rendered":"\n<p>So I just got back from <a href=\"http:\/\/isea2019.isea-international.org\/\">ISEA 2019<\/a> in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Gwangju\">Gwangju, South Korea<\/a> where I presented a paper titled &#8220;After Dan Graham: An Archaeological Approach to Virtual Reality Art.&#8221; <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/iseaPresentation-1024x576.jpg\" alt=\"\" class=\"wp-image-185\" srcset=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/iseaPresentation-1024x576.jpg 1024w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/iseaPresentation-300x169.jpg 300w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/iseaPresentation-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>The Q&amp;A portion of my presentation at ISEA 2019. That&#8217;s <a href=\"https:\/\/www.berylgraham.com\/cv\/index.htm\">Beryl Graham<\/a> (!) standing next to me. She wrote &#8220;<a href=\"https:\/\/www.amazon.com\/Rethinking-Curating-after-Media-Leonardo\/dp\/0262528428\">Rethinking Curating: Art after New Media<\/a>.&#8221;<\/figcaption><\/figure>\n\n\n\n<p>ISEA is such an amazing conference. I met a ton of curators, artists, scholars and media art enthusiasts. It was really inspiring to be surrounded by so many people who are passionate about media art.<\/p>\n\n\n\n<p>I saw many paper presentations, participated in round-table discussions and sat in on panel presentations featuring many scholars and artists whose work I have admired for some time. <\/p>\n\n\n\n<p>Alongside the scholarly portion of the conference was a massive media art exhibition featuring the work of over 65 artists, artist collectives, and media art studios. And, if that wasn&#8217;t enough, every night featured media art performances. <\/p>\n\n\n\n<p>All of this took place in the truly amazing <a href=\"https:\/\/www.acc.go.kr\/en\">Asia Culture Center<\/a>, Korea&#8217;s largest cultural center. It is a sprawling, beautifully modern complex with multiple performance, screening, and exhibition areas, a research hub, a children&#8217;s museum, and a library and archive. <\/p>\n\n\n\n<p>So thanks to ISEA 2019 for inviting me to present my work on After Dan Graham at this amazing conference and I look forward to attending next year&#8217;s conference in Montreal!<\/p>\n\n\n\n<ul class=\"wp-block-gallery columns-3 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/vrExhibit-1-1024x576.jpg\" alt=\"\" data-id=\"213\" data-link=\"http:\/\/3.151.107.52\/?attachment_id=213\" class=\"wp-image-213\" srcset=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/vrExhibit-1-1024x576.jpg 1024w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/vrExhibit-1-300x169.jpg 300w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/vrExhibit-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>&#8220;In the Gray&#8221; by <a href=\"https:\/\/www.roomtone.space\/\">RoomTone<\/a>, which was part of the ISEA2019 Special Exhibition &#8211; Lux Aeterna<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/judithDoyleVolumetricWorkshop-1-1024x576.jpg\" alt=\"\" data-id=\"206\" data-link=\"http:\/\/3.151.107.52\/?attachment_id=206\" class=\"wp-image-206\" srcset=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/judithDoyleVolumetricWorkshop-1-1024x576.jpg 1024w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/judithDoyleVolumetricWorkshop-1-300x169.jpg 300w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/judithDoyleVolumetricWorkshop-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Volumetric video &amp; photogrammetry workshop with GestureLab&#8217;s <a href=\"https:\/\/www2.ocadu.ca\/bio\/judith-doyle-0\">Judith Doyle<\/a> <\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance1-1-1024x576.jpg\" alt=\"\" data-id=\"207\" data-link=\"http:\/\/3.151.107.52\/?attachment_id=207\" class=\"wp-image-207\" srcset=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance1-1-1024x576.jpg 1024w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance1-1-300x169.jpg 300w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance1-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>&#8220;Deep Space Music&#8221;, a performance by <a href=\"https:\/\/www.nohlab.com\/\">Nohlab &amp; Nos Visuals<\/a> with Udi Bonen<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/accTheatre-1-1024x576.jpg\" alt=\"\" data-id=\"200\" data-link=\"http:\/\/3.151.107.52\/?attachment_id=200\" class=\"wp-image-200\" srcset=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/accTheatre-1-1024x576.jpg 1024w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/accTheatre-1-300x169.jpg 300w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/accTheatre-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>I was fortunate enough to get a tour of the impressive <a href=\"https:\/\/www.acc.go.kr\/en\">Asia Culture Center<\/a> facilities.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/joao-1-1024x576.jpg\" alt=\"\" data-id=\"204\" data-link=\"http:\/\/3.151.107.52\/?attachment_id=204\" class=\"wp-image-204\" srcset=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/joao-1-1024x576.jpg 1024w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/joao-1-300x169.jpg 300w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/joao-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>I was really inspired by <a href=\"http:\/\/jmartinho.net\/\">Joao Martinho Moura&#8217;s<\/a> work that he presented in his paper, &#8220;From real to virtual embodied performance&#8221;<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance2-1-1024x576.jpg\" alt=\"\" data-id=\"208\" data-link=\"http:\/\/3.151.107.52\/?attachment_id=208\" class=\"wp-image-208\" srcset=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance2-1-1024x576.jpg 1024w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance2-1-300x169.jpg 300w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance2-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>The opening night performance was titled &#8220;Drunken Drone&#8221; by <a href=\"http:\/\/www.artnet.com\/artists\/lee-lee-nam\/\">Lee Lee Nam<\/a>, Robolink &amp; Pablo Air, GongMyoung, <a href=\"http:\/\/www.nabi.or.kr\/\">Art Center Nabi<\/a>.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance3-1-1024x576.jpg\" alt=\"\" data-id=\"209\" data-link=\"http:\/\/3.151.107.52\/?attachment_id=209\" class=\"wp-image-209\" srcset=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance3-1-1024x576.jpg 1024w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance3-1-300x169.jpg 300w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance3-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>&#8220;Enigma&#8221;, a performance by <a href=\"http:\/\/www.purform.com\/\">Purform<\/a><\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/joelOng-1-1024x576.jpg\" alt=\"\" data-id=\"205\" data-link=\"http:\/\/3.151.107.52\/?attachment_id=205\" class=\"wp-image-205\" srcset=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/joelOng-1-1024x576.jpg 1024w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/joelOng-1-300x169.jpg 300w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/joelOng-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>I&#8217;m a big admirer of <a href=\"http:\/\/www.arkfrequencies.com\/\">Joel Ong&#8217;s<\/a> work and research that he discussed in his paper, &#8220;Windward | Windword : Elemental Metaphors for Data Art&#8221;<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/stehn-1-1024x576.jpg\" alt=\"\" data-id=\"212\" data-link=\"http:\/\/3.151.107.52\/?attachment_id=212\" class=\"wp-image-212\" srcset=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/stehn-1-1024x576.jpg 1024w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/stehn-1-300x169.jpg 300w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/stehn-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><a href=\"http:\/\/www.stenslie.net\/\">Stahl Stenslie<\/a> is one of those artists\/scholars whose work you read about (and dig!) and then you go to ISEA and all of a sudden you get to see him present his paper &#8220;Facing Death and Afterlife in Electronic Art&#8221;<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance4-1-768x1024.jpg\" alt=\"\" data-id=\"210\" data-link=\"http:\/\/3.151.107.52\/?attachment_id=210\" class=\"wp-image-210\" srcset=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance4-1-768x1024.jpg 768w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance4-1-225x300.jpg 225w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption>&#8220;SpaceTime Helix&#8221; by <a href=\"http:\/\/maakali.org\/\">Michela Pelusio<\/a> was a performance that materialized the immaterial in a way that hypnotized the audience.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance5-1-1024x576.jpg\" alt=\"\" data-id=\"211\" data-link=\"http:\/\/3.151.107.52\/?attachment_id=211\" class=\"wp-image-211\" srcset=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance5-1-1024x576.jpg 1024w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance5-1-300x169.jpg 300w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/performance5-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>&#8220;Membrane&#8221; by <a href=\"http:\/\/push1stop.com\/\">Push1Stop<\/a> and <a href=\"http:\/\/michaeldean.ca\/\">Wiklow<\/a> reminded me of <a href=\"https:\/\/www.tate.org.uk\/art\/artworks\/mccall-line-describing-a-cone-t12031\">Anthony McCall&#8217;s 1973 &#8220;Line Describing a Cone&#8221;<\/a>.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/christaSommerer-1-1024x576.jpg\" alt=\"\" data-id=\"201\" data-link=\"http:\/\/3.151.107.52\/?attachment_id=201\" class=\"wp-image-201\" srcset=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/christaSommerer-1-1024x576.jpg 1024w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/christaSommerer-1-300x169.jpg 300w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/christaSommerer-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><a href=\"http:\/\/www.interface.ufg.ac.at\/christa-laurent\/\">Christa Sommerer<\/a> is a legendary media artist and someone whose work I greatly admire. Her keynote presentation was titled &#8220;Woman Working with Media Art Technology&#8221;<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/erkki-1-1024x576.jpg\" alt=\"\" data-id=\"203\" data-link=\"http:\/\/3.151.107.52\/?attachment_id=203\" class=\"wp-image-203\" srcset=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/erkki-1-1024x576.jpg 1024w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/erkki-1-300x169.jpg 300w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/erkki-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>It was a real pleasure getting to see <a href=\"http:\/\/www.erkkihuhtamo.com\/\">Erkki Huhtamo<\/a>, one of the central figures in media archaeology theory, deliver his presentation &#8220;Media Archaeology: Linking Asia and Latin America&#8221;<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/creativeAI-1-1024x576.jpg\" alt=\"\" data-id=\"202\" data-link=\"http:\/\/3.151.107.52\/?attachment_id=202\" class=\"wp-image-202\" srcset=\"http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/creativeAI-1-1024x576.jpg 1024w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/creativeAI-1-300x169.jpg 300w, http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/creativeAI-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Four thoughtful, well-spoken and impressive Asian women on a panel about creative uses of AI. There needs to be more panels just like &#8220;The Rise of Minority and Creativity in AI: What, Why, and How&#8221; with Eunsu Kang, Haru Ji, Sey Min and Jean Oh<\/figcaption><\/figure><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>So I just got back from ISEA 2019 in Gwangju, South Korea where I presented a paper titled &#8220;After Dan Graham: An Archaeological Approach to Virtual Reality Art.&#8221; ISEA is such an amazing conference. I met a ton of curators, artists, scholars and media art enthusiasts. It was really inspiring to be surrounded by so [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":183,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[4,1],"tags":[],"class_list":["post-182","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-friend-generator","category-uncategorized"],"uagb_featured_image_src":{"full":["http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/iseaPost01.jpg",3954,2224,false],"thumbnail":["http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/iseaPost01-150x150.jpg",150,150,true],"medium":["http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/iseaPost01-300x169.jpg",300,169,true],"medium_large":["http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/iseaPost01-768x432.jpg",640,360,true],"large":["http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/iseaPost01-1024x576.jpg",640,360,true],"1536x1536":["http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/iseaPost01.jpg",1536,864,false],"2048x2048":["http:\/\/3.151.107.52\/wp-content\/uploads\/2019\/07\/iseaPost01.jpg",2048,1152,false]},"uagb_author_info":{"display_name":"davidhan","author_link":"http:\/\/3.151.107.52\/?author=2"},"uagb_comment_info":0,"uagb_excerpt":"So I just got back from ISEA 2019 in Gwangju, South Korea where I presented a paper titled &#8220;After Dan Graham: An Archaeological Approach to Virtual Reality Art.&#8221; ISEA is such an amazing conference. I met a ton of curators, artists, scholars and media art enthusiasts. It was really inspiring to be surrounded by so&hellip;","_links":{"self":[{"href":"http:\/\/3.151.107.52\/index.php?rest_route=\/wp\/v2\/posts\/182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/3.151.107.52\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/3.151.107.52\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/3.151.107.52\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/3.151.107.52\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=182"}],"version-history":[{"count":5,"href":"http:\/\/3.151.107.52\/index.php?rest_route=\/wp\/v2\/posts\/182\/revisions"}],"predecessor-version":[{"id":228,"href":"http:\/\/3.151.107.52\/index.php?rest_route=\/wp\/v2\/posts\/182\/revisions\/228"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/3.151.107.52\/index.php?rest_route=\/wp\/v2\/media\/183"}],"wp:attachment":[{"href":"http:\/\/3.151.107.52\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/3.151.107.52\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=182"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/3.151.107.52\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}